More Amour ~ With legs, hands, lips and ~~ The Kiss


Okay, some sexy love fun is in order and, well, the photographs sing their own song. John Lee Hooker just ices the cakes. Hmm.

I don’t think I’ve ever seen high heels quite like the ones in the very last image of this video. Ladies, the last set of heels is all yours.  Homage to the sensual side of love–with a lot of legs. Yes,  a lot of legs. I think we have some idea of what appeals to this particular incarnation of “Irene Adler.” And to many of the rest of us.

Bang Bang Bang Bang ~ John Lee Hooker

Irene Adler·


It ought to be easy to find a translation of a song’s lyrics, right? Not so with In The Forest, a Polish tune.  Apparently the words cause even modern native speakers some grief because this is not modern Polish.  Best I can figure is that perhaps there’s some questions about if the guy deserves what happens to him–and, the thought “shit happens.” You’ll have to watch to the very end to get that last thought via an image. At least that ‘s how I’m interpreting it right now.  It’s bit of a walk on the dark side of romantic relationships. Just a bit. Don’t be dissuaded from listening because you don’t know Polish and there are no lyrics. The images tell a very familiar girl and boy story. I have no doubt you will recognize it.

In The Forest ~ Warsaw Village Band

JARO Medien GmbH – Bremen


I discovered Edna St. Vincent Millay in the fourth grade. What can I say? Great things in the school music and arts program–which also included The Highwayman of which a version also appears here and Poe’s The Bells, which does not appear here.

Love Is Not All

Love is not all: it is not meat nor drink
Nor slumber nor a roof against the rain;
Nor yet a floating spar to men that sink
And rise and sink and rise and sink again;
Love can not fill the thickened lung with breath,
Nor clean the blood, nor set the fractured bone;
Yet many a man is making friends with death
Even as I speak, for lack of love alone.
It well may be that in a difficult hour,
Pinned down by pain and moaning for release,
Or nagged by want past resolution’s power,
I might be driven to sell your love for peace,
Or trade the memory of this night for food.
It well may be. I do not think I would.

Edna St. Vincent Millay


Drive Elevator Scene ~ The Kiss ~ composer Cliff Martinez ~  Heads up, if you’re squeamish,  then stop watching for a short time, don’t stop listening or you’ll miss out, after the kiss while the music is in transition. If you have not viewed the film Drive, which is a truly great film, then I highly recommend it. Mary Poppins it is not.  That said, what would you do to protect those you love? Also, yes, Ryan Gosling’s character knows the man in the elevator is a hit man and he knows he has fatal intentions. He steps into the elevator knowing. These are not random acts. Everything has intention.  I cannot think of another film kiss that can compare with this one. If you can, I invite you to share it. Furthermore, there are clips of this scene set to other music by fans. I don’t know why they bother because Martinez’s score here is flawless for sheer emotive power in my opinion. Everything matters in this scene, every image, every look, every sound.



What can I can? If you love poetry, then discover Neruda if you have not already.  Here’s just one sonnet why.

One Hundred Love Sonnets: XVII



I don’t love you as if you were a rose of salt, topaz,
or arrow of carnations that propagate fire:
I love you as one loves certain obscure things,
secretly, between the shadow and the soul.
I love you as the plant that doesn’t bloom but carries
the light of those flowers, hidden, within itself,
and thanks to your love the tight aroma that arose
from the earth lives dimly in my body.
I love you without knowing how, or when, or from where,
I love you directly without problems or pride:
I love you like this because I don’t know any other way to love,
except in this form in which I am not nor are you,
so close that your hand upon my chest is mine,
so close that your eyes close with my dreams.
[Online source: The Poetry Foundation]


Before Sunrise Written & Directed By Kealan O’Rourke ~ A very lovely animated work about the dark finding light and the rest is transformation.



Opera imaginaire ~  Lakme Flower Duet ~ Opera that works for me. Perhaps it will work for you too. I love how this transcends all sorts of obstacles and barriers on multiple levels: gender, culture, language, nature, humans, media, music and spirituality. If you don’t get it, then, well, you just won’t get it until you do a few dances with with a spring wind scented with apple blossoms.



Oh My Love ~ Katyna Ranieri, song by Riz Ortolani’  ~  Oddly enough I cannot recall how I found this gorgeous piece.  I have heard of Ranieri. I have heard the song from some long ago time. There it was on the tubes of you and I was lucky enough to find a live performance by the very expressive Ranieri.

Mauro Piffero·


Irene and Sherlock  Love Game ~ Vitamin String Quartet ~  Oh my, Sherlock is BACK! with a modern wonderful vengeance. There’s a bit of an homage to Sherlock currently on the sidebar to celebrate this delight.  I selected this one because of the violin.



The Highwaywman ~ Loreena McKennitt ~ Listen and read and imagine.


Album: The Books of Secrets
Year: 1997

Lyrics by Alfred Noyes, abridged by Loreena McKennit

The wind was a torrent of darkness among the gusty trees
The moon was a ghostly galleon tossed upon the cloudy seas
The road was a ribbon of moonlight over the purple moor
And the highwayman came riding,
Riding, riding,
The highwayman came riding, up to the old inn-door.

He’d a French cocked hat on his forehead, a bunch of lace at his chin,
A coat of claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle; his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark innyard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord’s black-eyed daughter,
Bess, the landlord’s daughter,
Plaiting a dark red love-knot into her long black hair.

“One kiss, my bonny sweetheart, I’m after a prize tonight,
But I shall be back with the yellow gold before the morning light;
Yet if they press me sharply, and harry me through the day,
Then look for me by the moonlight,
Watch for me by the moonlight,
I’ll come to thee by the moonlight, though hell should bar the way.

He rose upright in the stirrups; he scarce could reach her hand
But she loosened her hair i’ the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the west.

He did not come at the dawning; he did not come at noon,
And out of the tawny sunset, before the rise o’ the moon,
When the road was a gypsy’s ribbon, looping the purple moor,
A red-coat troop came marching,
Marching, marching
King George’s men came marching, up to the old inn-door.

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at the casement, with muskets at their side!
There was death at every window
And hell at one dark window;
For Bess could see, through the casement,
The road that he would ride.

They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
“now keep good watch!” And they kissed her.
She heard the dead man say
“Look for me by the moonlight
Watch for me by the moonlight
I’ll come to thee by the moonlight, though hell should bar the way!”

She twisted her hands behind her, but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness and the hours crawled by like years!
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it!
The trigger at least was hers!

Tlot-tlot! Had they heard it? The horse-hoofs were ringing clear
Tlot-tlot, in the distance! Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming!
She stood up straight and still!

Tlot in the frosty silence! Tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment! She drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him with her death.

He turned; he spurred to the west; he did not know she stood
Bowed, with her head o’er the musket, drenched with her own red blood!
Not till the dawn he heard it; his face grew grey to hear
How Bess, the landlord’s daughter,
The landlord’s black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shrieking a curse to the sky
With the white road smoking behind him and his rapier brandished high!
Blood-red were the spurs i’ the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway, with the bunch of lace at his throat.

Still of a winter’s night, they say, when the wind is in the trees,
When the moon is a ghostly galleon, tossed upon the cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding,
Riding, riding,
A highwayman comes riding, up to the old inn-door.


~Bear:  LOVE
Eva:   More Amour — With legs, hands, lips, and The Kiss —  
Eva:   What’s Love Got To Do?    What’s Love Got to Do? Musical Theme for Friday, the 13th of December 2013.
Willow: ??
Johnny: LOVE  ____________________________________________________________
Deborah: Love and Random Acts of Kindness: A Musical Exploration 
D.S. Nelson: ??






What’s Love Got to Do? Musical Theme for Friday, the 13th of December 2013.

So what’s love got to do with everything? Ask the very incredible Tina Turner, I’m sure she can do more than sing about it. But hear here we’re starting off with a song by an artist well-known for her Celtic treatments, Connie Dover.  Last Night By The River is decidedly not Celtic. It’s based on a Shoshone ‘song’ and it differs decidedly from all the other tracks on The Border of Heaven which offers other love songs, all of which have been sung by others elsewhere–except the song I’ve selected.


Last Night By The River ~ Connie Dover


Everything ~ The Doctor and River ~ artist Lifehouse ~ It’s River Song and The Doctor, do I really need to write anything else? I think not. I won’t. Well, yes, I will. Just a little bit. If you’re out of this romantic couple time loop–then you’re missing out on a fabulous love story across time and space.



Tudno  kochac Polish/English ~  It’s Difficult to Love  ~ Kayah & Bregovic   The why is in the lyrics and the sound.

Ewa Dżi·


The Road Home  ~ This is a story about the first couple that marries for love in a little rural village. It’s a very beautiful film visually, musically and story-wise. It often relies totally on music without lyrics.  A must for all hopeless romantics.

 The Road Home – Chinese Movie by Zhang Yimou – with Zhang Ziyi, Sun Honglei, Zheng Hao, Zhao Yuelin – Soundtrack composed by San Bao


Summer Kisses Winter Tears ~ Julee Cruise  ~ Laura Manuel’s description says a lot. Tears of the Black Tiger is also a love story. It’s different. It’s Thai. I love it. The song sings for itself. Oh there are wonderful waterlily images in this film which make it a must for visual artists. The clip does not do the imagery justice.

Laura Manuel :

Tears of the Black Tiger is a 2000 Thai western film written and directed by Wisit Sasanatieng.
With its loud acting style, exuberant sets and stunning shots in pastel colours, it´s one of my favorites movies. In this video i wanted to make a resume of Tears of Black Tiger’s atmosphere.
I made this! 🙂


The Eternal Vow  ~ Green Destiny, Love Theme, Crouching Tiger Hidden Dragon Yo-Yo Ma ~ Tan Dun  ~ It’s all very green. 🙂  No singing frogs today. 



A Love Before Time ~ Coco Lee with cello by Yo Yo Ma ~ Cello. Cello. Cello. Cello.

Liz M :

A few of my favourite “love scenes” from Crouching Tiger Hidden Dragon. The two couples are Li Mu Bai and Shu Lien, the older couple, and Lo (Dark Cloud) and Jen, the younger couple.


 Les Temps de l’ Amour ~Francoise Hardy~Moonrise Kingdom ~ Young love, delightful, defiant and dedicated. Moonrise Kingdom is a treat for those of us who adore such things as Bruce Willis not acting in another die-hard flick. Yes, he can act. Who’d have thunk it. Love as an adventure–get packed, don’t forget the music, the books or the cat.

themusicbug20 :

It’s time to love,
Time for friends and adventure.
When the time comes and goes,
Can not think of anything despite his injuries.
For the love of time
It is a long and short
It lasts forever, it will be remembered.

It is said that twenty years it is the king of the world
And there will be eternally in our eyes
All the blue sky.

It’s time to love,
Time for friends and adventure.
When the time comes and goes,
Can not think of anything despite his injuries.
For the love of time
It puts you in the heart
Much warmth and happiness.

One day it’s love and the heart beats faster,
Because life goes on
And we are quite happy to be in love.

It’s time to love,
Time for friends and adventure.
When the time comes and goes,
Cannot think of anything despite his injuries.
For the love of time
It is a long and short
It lasts forever, it will be remembered.

Oh, no, I’m not done yet. You’ve met Donne in the prompt post for this theme.  I wonder who would have the musical chops to set Donne’s love songs to music? Any suggestions?

Catch a view of, “Life Feels Good” ~ Sunday, December 8, 2013, Winner of Golden Teeth of Camera~ Polish Film Festival in America

Screening of LIFE FEELS GOOD directed by Maciej Pieprzyca 


Screening of LIFE FEELS GOOD by Maciej Pieprzyca will take place on Sunday, December 8, 2013 at 4:00 PM. in Muvico Rosemont 18.

MUVICO ROSEMONT 18 (9701 Bryn Mawr Ave, Rosemont)

Mental disability? Or just a problem with communication? This dilemma determines the fate of Mateusz, a young man suffering from cerebral palsy. Inspired by true events, “Life Feels Good” is a story which gives hope and sends a positive message. The film shows that the power of a strong will makes it possible to overcome adversity, and go beyond one’s own limits to enjoy life, just the way it is. To find happiness, giving up is never an option.



 Polish Film Festival in America | 1112 N. Milwaukee Ave. | Chicago , IL 60642 | tel:773.486.9612  |

Freedom To Be Free ~ Who Said There Could Be Music?


being free

is a not a package bought in a store

often fought for

mental, physical, political, social, spiritual, emotional . . .

wars in many forms

outworn hearts torn



if everyone wants to be free

why aren’t we?


Song Of The French Partisan  via Buffy Sainte Marie


Freedom ~~ Anthony Hamilton and Elayna Boynton   frrom Django Unchained soundtrack


“FreeDUMB”  John Trudell



Billy Elliot film images

Lyrics: Billy Elliot the Musical “Electricity” by Elton John

Kundun  music by Philip Glass

“I will liberate those not liberated. I will release those not released. I will relieve those unrelieved. And set living beings in nirvana.”


Cry Freedom  by  Dave Matthews and Tim Reynolds


Poland’s Dirge  by Chopin


Chopin left Poland around 1830, just before the uprising of the Polish people against the government… This song, which was never meant to be published, was one of the songs that he composed for friends and private occasions, or just for himself… although it was not dated, I think it was about the tragic end to that uprising, when he was afraid for his family and friends still in Poland, and for the Polish people, and their hopes for freedom… Aleksandra Kurzak sings this patriotic song with a lovely legato line and a heartbreaking and exquisite sensitivity to the text and music…
Nelson Goerner is her excellent accompanist.

The words are important – here they are in English

Tree, so free and noble, fast thy leaves are falling!
From the grave a bird with mournful note is calling:
O! Poland misfortune hate thy home o’ertaken,
thy truehearted children from death shall never waken,
Ev’ ry town and village lonely watch is keeping,
Through the fields deserted wander women weeping,
All the sturdy reapers hath the wartime needed,
And the corn, fully ripened drop the grains unheeded

Warsaw saw the banners which our youths unfolded
Free united Poland shall in glorious form be molded.
And they fought in winter, fought when suns were burning
and the autumn found us still for freedom yearning
All in vain for freedom strove our valiant brothers
None were left to comfort Poland’s mourning mothers.

Did they fall in battle? Captive were they taken?
Did they haply wander homeless and forsaken?
Heaven itself hath left us, left us here to languish:
God and man desert us in our bitter anguish

O! unhappy Poland! unhappy Poland! O! Poland, O! Poland,
Were thy sons restored to us, could the brave that perished
Help once more afford us… All dismay and terror
from our breast would vanish, war no more our dear ones
from our homes would banish.

Though by hands of traitors, Poland’s freedom perish,
Still of Poland’s heroes shall the mem’ry flourish..

For information about when Poland was partitioned and ceased to exist –>

(note: all of this may change w/o notice as I reserve the right to revise freely)

Thanks to Johnny I have learned that we have a new player! Welcome, D.S. Nelson.  I swiped Johnny’s live links for your cyber blogging ease. 🙂  Do not miss the lovely Sea song at Johnny’s blogcasa–what a voice!

D.S. Nelson





A Few Trips for All Hallows Eve Traps–Mind the sound wires, please.

I can’t seem to get too far from horror films for this All Hallows Eve theme just yet.  All of this could change, be revised soon after it hits the blog casa- or not. I’ve kept close to things that give me the willies, which might not be the same things that give the rest of you the willies.  There are a lot of strange things going for the scare-the-hair-off-you brass ring for the picking and biting.

Charlotte Eriksson

While I wish there was much more music in the form of a traditional soundtrack, the short film Echa makes the most of musical and other sounds in order to create a very effective atmosphere.  When the film fades to black keep on listening until the very end for the full musical effect.




Published on Sep 27, 2012

Echoes is the interweaving story of Kasia and Sebastian, a young Polish couple, taken on a metaphysical journey that combats [combines] Polish history, culture and mythology.

Kasia, a young philosophy student, discovers a local history book that stimulates her imagination, forcing her to confront the tragedy of the past manifested in the walls that surround her.

Sebastian and a group of friends plan to rob a train using a deadly sleeping gas, only for their worst fears to materialize in the form of a Polish myth.

This allegorical and surreal look at Polish culture as seen through the eyes of a younger generation is both terrifying and strange.

You can find out more about our future productions here:


*The absolutely great thing about the film 28 Days Later is that about midway through the film it turns neatly from one kind of horror film into an even more terrifying one based on human nature rather than grisly zombies.  Prior to this point you’ve got plenty to actually think about in regards to survival issues. After the film worm turns, well, there’s an exploration of things that may stick in your brain-pan much longer than the zombie scenes.  The trailer is to provide a look at the film. The theme –well, it’s a great piece of music by itself in many ways.
28 Days Later  theme Soundtrack   In the House. In A Heartbeat  by John Murphy
28 Days Later trailer
Now for something a tad different.
There are all sorts of ways to get the creeps and Oddly manages to get the job done deftly in a surprisingly short amount of time.
Oddly – some Chinese Darkness
Story based on Strange Tales of a Lonely Studio (a classic literature work with a collection of about 500 stories by Pu Songling of the Qing Dynasty)
What’s a Halloween post without a ghost song? Hmmm? Something about this lovely videos just kept tugging me back to it. Hat’s off to Max Ablitzer for his crows.
Dark haunting violin– Ghost Song by Max Ablitzer
Max Ablitzer

Get album and sheet music on :
Haunted by a dark memory from strange places : a crow on a pole, a mansion by the sea, a lighthouse in the fog. Long forgotten ghosts from the past visiting me, and I am missing someone so much… A haunting violin playing dark and melancholic tunes. (c) Max Ablitzer


What can I say except the film trailers for Night Watch and Day Watch are pure self-indulgence on my part.  If you’re looking for some film entertainment to get serious about for the dark holy day’s night, then you might enjoy Night Watch and Day Watch as much as I do. Yes, they’re Russian flicks-and yes, they do live up the trailers.  Careful that the visuals don’t hypnotize you into forgetting the story line. Hmm. Light versus Dark eternally.

Night Watch Trailer



Day Watch Trailer



Oh this Swedish vampire film takes the entire cake-walk in my movie book list. I have not seen the American remake.  Usually American remakes of great foreign films are very disappointing. Though I have heard this time around it’s not. But, if I’m going to watch a film more than once, well, I’ll Let the Right One In be the best one.

Let the Right One In  Trailer



Let the Right One In Soundtrack

Shan M. Khan


For now, I conclude with the music of the man who headlined my theme choice, Warren Zevon, with his musical rendition of the horror of the ghosts of  war-zones everywhere.

Roland the Headless Thompson Gunner 


Warren Zevon Live at the Capitol Theatre in Passaic NJ. Oct 1, 1982

Band Personnel:
Randy Brown – Lead guitar / vocals;
Joe Daniels – Drums;
Larry Larson – Bass;
John Wood – Lead and slide guitar


Oh yeah, you WANT to catch Willow’s Screaming post before it bites you.  I had no idea Annie Lennox ‘did’ vampires. Then again what do you want from a Woman who can sing for a Man the way only Annie can.  Oh and yes, True Blood will be joining Being Human for creep fixes.

You want MUSIC? Bearspawprint has it in spades. I think The Bear has been saving up for this theme. Yes, I do indeed. She’s been collecting all sorts of sound and sight goodies in her swamplands.

Bear     I          

Bear    II         

Bear   III         

Okay, I dare anyone to find a theme for which Johnny can NOT find an R.E.M. song.  Seriously, he pulls one out of his musical vaults every time.  It’s great.


Ha! Deborah really got into the SWING of this Hallow Eves Theme wonderfully. She got dance fun galore with beauty, grace and a hell of a lot talented folks from The Corpse Bride to Labyrinth with the Boy Bowie. Oh yeah!



How about a touch of comic serial killer complete with blood oranges? Yum.


Ahhh, I will soooooo miss the blood splatter expert.

25th Polish Film Festival in America, 8-24 November 2013, Chicago ~ Film screening list

Okay some  information regarding the showing of  


IMAGINE, a new film by Andrzej Jakimowski will have its only screening tomorrow, on Wednesday, November 13, 2013 at 8:00 PM. in Muvico Rosemont 18. The special presentation is sponsored by Kraff Eye Institute.

The plot is set in a well-known Lisbon clinic for visually impaired where Ian, a new instructor, begins to teach special orientation to his international group of blind patients. For him, the keys to getting around and living a fulfilling life are the mind and the imagination, and not sensory perception. However, his methods – although successful – prove to be too challenging for his patients.

Jakimowski’s masterful treatment of the material – says one film critic – takes IMAGINE up to new heights of a lyrical metaphor about trust, the sense of reality, perspectives and coping in life.

Andrzej Jakimowski (b. 1963) is one of the most outstanding Polish filmmakers. His debut film Squint Your Eyes and later internationally-acclaimed Tricks received enthusiastic welcome from audiences and film critics worldwide and were widely awarded. IMAGINE is selected for this year’s European Film Awards.

The screening’s sponsor Kraff Eye Institute is a leading pioneer in laser vision correction. The Chicago-based Kraff Eye Institute has long sought to improve the vision of its patients, always putting their safety, quality of vision and experience first. Its physicians take the time to educate their patients about the latest techniques and technology for laser correction and treatment of cataracts. The Kraff name has become synonymous with pioneering bold, new techniques and providing the highest quality, most contemporary care available in ophthalmology internationally and throughout Chicago.

Muvico Rosemont 18 is located at 9701 Bryn Mawr Ave. by River Rd. South exit from I-90. The theatre has ample parking, complimentary with parking ticket validation. The most elegant cinema centre offers fine dining in Bogart’s Bar and Grill.

Tickets can be purchased online @ and over a phone at 773-486-9612 with any major credit card. The seats are unnumbered.

 The 25th Polish Film Festival in America sponsors are:  Polish Film Institute, Adam Mickiewicz Institute, Star-Tech Glass, BMO Harris Bank, State Farm Insurance, Muvico Theatres.The main media sponsor is itvn.


~~~Heads up, this post is an ongoing work in progress. I will continue adding trailers for films on this list as I view them on the tubes-of-you. ~~

The Polish Film Festival in America has announced a complete list of films which will be screened during the 25th edition of the festival, from November 8 to November 24, 2013.



dir. Andrzej Wajda
[2013, 127’]

Legendary Polish filmmaker Andrzej Wajda tackles the story of another of his country’s legends — former dockworker, Solidarity founder, and eventual Polish president Lech Walesa — in this epic, decade-spanning biopic.


dir. Paweł Chochlew
[2013, 120′]


Starring: Michał Żebrowski, Piotr Adamczyk, Borys Szyc, Jan Englert, Jakub Wesołowski, Robert Zołędziewski, Andrzej Grabowski, Mirosław Baka

At the Baltic banks of Westerplatte, on September 1, 1939, salvos of the largest Nazi vessel Schlezwig-Holstein “visiting” the harbor, announced the beginning of the WWII.
At the other end, about two hundred Polish soldiers heroically maintained their military foothold at the banks of Westerplatte, and within hours it became apparent that countless armored Nazi divisions were invading Poland.

Yet for seven days the Poles maintained their increasingly suicidal foothold. 1939. THE SECRET OF WESTERPLATTE is a war drama of the fight of two commanders and their men. A heroic struggle between opposing views on bravery – to fight to the last soldier or to save the men and surrender under overwhelming odds…


dir. Władysław Pasikowski
[2012, 107’]



dir. Ireneusz Dobrowolski
[2013, 75′]


dir. Kordian Piwowarski
[2013, 69’]

A multi-layered biographical film about the legendary, young, Polish poet who fought in Warsaw Uprising. A poetic journey through his life and works.

featuring poetry slammers:
Weronika Lewandowska,Janusz Jamanta Kulesza,Jan Gabriel Szutkowski,Jan Paweł Kowalewicz,Grzegorz Bruszewski,Kuba Przybyłowski,Mateusz Andała,Michał Czaja,Kamila Janiak, Marta Marciniak


BEJBI  BLUES / Baby Blues
dir. Katarzyna Rosłaniec
[2012, 105]



dir. Marcin Solarz
[2013, 90’]



dir. Tomasz Wasilewski
[2013, 93′]

dir. Katarzyna Klimkiewicz
[2013, 88‘]


dir. Michał Haremski
[2013, 90’]


dir. Andrzej Jakimowski
[2012, 105’]




dir. Jan Kidawa-Błoński

[2013, 103’]                   

dir. Małgośka Szumowska
[2013, 102”]


dir. Jacek Borcuch
[2013, 97′]

 International Film Festival Rotterdam

Two Polish students fall in love with each other during a holiday in Spain. But a horrible accident ruins their relationship and their plans. A thrilling existential drama in which fate seems to overcome the best-laid plans of men.


dir. Maciej Pieprzyca
[2013, 107′]


dir. Sławomir Fabicki
[2012, 105’]



dir. Joanna Kos-Krauze, Krzysztof Krauze
[2013, 131’]



dir. Janusz Zaorski
[2013, 125’]



dir. Agnieszka Gomułka
[2012, 91′]



dir. Ryszard Bugajski
[2013, 110’]



dir. Bodo Kox
[2012, 90′]



dir. Tadeusz Król
[2013, 84′]



dir. Maciej Adamek
[2012, 82′]



dir. Eugeniusz Korin
[2012, 133′]

Movie Trailers Boulevard·


dir. Krzysztof Łukaszewicz
[2012, 98’]

WARSAW 1935 in 3D
dir. Tomasz Gomoła
[2013, 20′] 3D




dir. Ryszard Ordyński
[1928, 124’]

  + No English subtitles.


dir. Filip Syczyński
[2013, 30’]

dir. Paweł Maślona
[2013, 30′]

dir. Balbinka Korzeniowska
[2013, 10’]

Dir.  Jan Czarlewski
[2013, 20’]

dir. Piotr Grajnert
[2012, 14′]

dir. Kristoffer Rus
[2013, 15’]

dir. Julia Kolberger
[2013, 30’]


dir. Alina Mrowińska
[2012, 52’]

dir. Piotr Morawski
[2013, 52′]

dir. Agnieszka Zwiefka
[2012, 52′]

dir. Janusz Mrozowski
[2012, 77′]

dir. Irena Morawska, Jerzy Morawski
[2013, 49′]

[2013, 51′]

[2012, 5′]

dir. Lidia Duda
[2012, 51′]

dir. Paweł Łoziński
[2013, 52′]

dir. Michał Marczak
[2012, 82′]

dir. Eugene Starky
[2013, 50’]

[2013, 45′]

dir. Jakub Polakowski, Magdalena Pytlakowska
[2013, 29′]

dir. Adam Lewandowski
[2012, 28’]

dir. Paweł Ferdek
[2013, 52′]

dir. Filip Dzierżawski
[2013, 91′]

dir. Bożena Garus-Hockuba
[2012, 58’]

dir. Katarzyna Gondek
[2013, 60′]

dir. Michał Bielawski
[2013, 97’]

[2012, 82’]

dir. Konrad Łęcki
[2013, 30′]

dir. Agnieszka Arnold
[2012, 77’]

dir. Krystian Matysek
[2012, 88’]

dir. Beata Postnikoff
[2012, 12′]

dir. Adrian Prawica
[2013, 75’]

dir. Igor Mołedecki
[2012, 38’]

dir. Katarzyna Kolenda-Zaleska
[2013, 89’]

dir. Joanna Frydrych
[2012, 45′]

dir. Robert Gliński
[2012, 50′]

dir. Konrad Szołajski
[2013, 35′]

dir. Marcin Koszałka
[2012, 75′]


dir. Agnieszka Holland
[2013, 82’, 72’, 78’]

dir. David Ondricek
[2012, 106′]

dir. Marek Najbrt
[2012, 113′]

25th PFFA venues are:

Muvico Rosemont 18 (9701 Bryn Mawr Ave., Rosemont)
Facets Cinematheque (1517 West Fullerton Ave., Chicago)
Gallery Theatre (1112 North Milwaukee Ave., Chicago)

The 25th PFFA major sponsors are: Polish Film Institute, Adam Mickiewicz Institute, Star-Tech Glass, BMO Harris Bank, State Farm Insurance, Muvico Theatres.

Main media sponsor is itvn.

For more information, please call 773-486-9612.

25th Polish Film Festival in America
1112 N. MIlwaukee Ave
Chicago, IL 60642
Phone: +17734869612

Flash Mobs for Everyone! Let’s Sing and Swing!

Time for true confessions: the reason I picked this “Flash Mob” musical theme is because I got so carried away with willowdot21’s  “All Things Travel” theme that I could not resist continuing travelling around the world.  Blame the choice of Flash Mobs all on the “Ode to Joy” video which I’ve included here because it was the piece that sent me searching for mobs in places of transportation. Yes, you can travel the world via Flash Mobs everywhere. Some of them will even moon you. Yes, indeed, five guys and a fountain where it’s illegal to wade…yeah, I wonder if Bear, Willowdot21 or Johnny have selected that piece of young guy fun?  What I enjoy most about these Mobs are the expressions on those watching and those performing.
Enjoy, be careful with the mob from Moscow. Damn, I wonder what sort of a riot one hot guy with a boombox can incite if he were inclined to do so? LOL.
Imagine all the great music, fun and dancing everyone could be enjoying every day around the world if all the warmongering would just cease and desist. As Tracy Chapman sings: This could be heaven here on Earth.
Willowdot21, Bollywood selections are for you. 🙂
All text hereafter is from the youtube uploaders for each video. Thank you.
‘One Day More’ Polish Flashmob
Watch the Polish cast of LES MISÉRABLES perform a flash-mob version of One Day More in Warsaw!Having just released the Original Cast Album in Polish, the entire cast descended on Warsaw’s most popular shopping center, Zlote Tarasy (Golden Terraces), located 5 minutes from the Musical Theatre ROMA on April 15th 2011.For information on the theatre and to book tickets, click below:-
Flash mob in Moscow, Russia 26.02.12
Flash Mob: Gypsy Song from

Flash Mob: Gypsy Song from Carmen
One World Symphony Sung Jin Hong, Artistic Director & Conductor Anna Yelizarova, Carmen Jane Hoffman, Frasquita Adrienne Metzinger, Mercedes One World Symphony Vocal Artists
September 17, 2012 Whole Foods, Columbus Circle, New York City
One World Symphony was invited to perform its first flash mob at Whole Foods in Time Warner Building near Lincoln Center on September 17. With less than two days of preparation, thirty-five musicians including vocalists and instrumentalists gave the shoppers a surprise treat jamming selections from One World Symphony’s 12th season opener Carmen. As always, One World Symphony shared their passion with all live and unplugged musicians with instruments without any use of pre-recorded music.
Videographer: Nick Johnson

Flash mob flashwaltz classical- 40 students Perform Tchaikovsky’s Waltz of the Flowers
The surprise concert was part of Good Deeds Day, an annual event that originated in Israel in 2007 and now takes place in over 50 countries worldwide.Forty students from the Jerusalem Academy of Music and Dance took a classical approach to the flashmob as they flashwaltzed Tchaikovsky’s Waltz of the Flowers at the new Sarah Wetsman Davidson Hospital Tower in Jerusalem. Physicians, patients and everyone who passed by joined in the fun.On this day volunteers reach out to the less fortunate and the vulnerable.The Academy students enjoyed the day so much that they have decided to schedule regular concerts at the hospital.Hadassah Medical Organization treats over one million patients annually, without regard to race, religion or national origin.

Ariella Zeitlin-Hoffman
Dana Barazan
Noam Gal
Ilana Kleiman
Maayan Shaked
Tamar Peretz
Leikie Glick *
Gili Rivkin *
Barak Shosberger *
Avital Mazor *

Anna Shapira
Yshayahu Ginzburg
Noa Dekel

Kama Sambira
Gali Cnaani
Dan Amichai
Karin Markovich *

Liad Mor
Daniel mor

Maria Dragonov
Timor Novoslasky
Noam Sharet

Josue Cortes
Arielle Fereyrre *

Adva Hadida
Tomer Amikam

Isaac Leyva

Adrian Aroyo
Netanel Bass
Ben Davis
Ido Hayek *

Ofri Abramov

Maayan Heymann
Gil Saada
Bar Tal

Itay Agmon

Boaz Dorot

Rivka Amar

Tal Benouri

Gaddiel Dombrowner

Project Manager- Initiator
Anna Shapira

Orchestra Manager
Lilach Krakauer

El Bolero de Ravel, en la estación central de Copenhague
Parece que cuando se habla de un flashmob este tiene que ser un baile “improvisado” en una estación de tren, por lo que habrás visto este esquema una y otra vez, sin ninguna originalidad. Sin embargo aún se pueden hacer flashmobs preciosos y llamativos como este de la Filarmónica de Copenhague (Sjællands Symfoniorkester) en la Estación Central de la capital danesa, donde sorprendieron a todo el mundo con esta interpretación del Bolero de Ravel.
Musical Flashmob on Metro Bilbao by an orchestra from the Basque
Flashmob de la Orquesta Sinfónica de Bilbao BOS en el metro de Bilbao durante un viajeThe musicians from BOS (Bilbao Orkestra Sinfonikoa) play Maurice Ravel Bolero on the Bilbao’s underground. Flash Mob / Los músicos de la Orquesta Sinfónica de Bilbao tocan el bolero de Ravel en directo en el metro de Bilbao (Euskadi / País Vasco)
Fanfare For The Common Man performed by the RTÉ Concert Orchestra in Terminal 2, Dublin Airport
Passengers in Dublin airport’s Terminal 2 got a pleasant surprise on Sunday as the RTÉ Concert Orchestra performed ‘Fanfare For The Common Man’ by Aaron Copland.The Orchestra, conducted by David Brophy, were there to kick off RTÉ Big Music Week 2012.
Flashmob Bogotá C.C Gran Estacion (estudiantes de Medicina Unal)
Estudiantes de medicina de la Universidad Nacional de Colombia.. Congelados al no tener un Hospital universitario propio donde hacer sus practicas..
Si podemos!
ATS® Flash Mob WORLD WIDE 2012: 3 Tribes, Munich, Bavaria,
One Dance – One Song – One World UnitedTribes “Andra Colleen”, “Aradia” and “ialo benii” feat. very special guest Salem Whalen of Hodge Podge Tribal rocked the Munich central station as part of the ATS® Flashmob WORLD WIDE on October, 13th 2012 , 9 o´clock in the evening (German time).
Bollywood Class Library Flash Mob
Northwestern’s Bollywood “Cultural Forms” class puts on a study break show for students studying in the university library.
Flashmob Bollywood 2013 Lima-Perú
Difusores del Cine Indio Peru
Primer Flashmob en honor a Bollywood, organizado por la unión de Difusores de Cine Indio en el Perú (ex AADCIP).
** Visítanos en ►­ru  y entérate de nuestros próximos eventos.
Flashmob Flash Mob – Ode an die Freude ( Ode to Joy ) Beethoven Symphony No.9 classical music
Zumba Flash Mob 2: Warrington Bus Station
For more info visit:…Music featured:El Simbolo – 1 2 3
HERE:…Eminencia Clasica – Pitchea
HERE:…Video & Photography © 2011
Flashmob:  Heathrow airport welcome
A welcome home to remember in one the most crowded airports of the world, Heathrow Terminal 5
International arrivals / It’s so good to be back home !
Country: UK
Brand: T-Mobile
Year: 2010
Agency: Saatchi & Saatchi (London)
More commercials : ..  All rights reserved. For all inquiries, please mail to
Denver, Colorado, USA  Denver Airport Holiday Flash Mob
Holiday travelers at Denver International Airport (DIA) were surprised with an entertaining treat when a flash mob broke out in Jeppesen Terminal on November 22nd, 2011. Approximately 100 dancers from Community-Minded Dance (cmDance) performed a Lindy Hop to a medley of Swing classics in the airport’s Great Hall in Denver, Colorado. Video by Rich Clarkson & Assoc.Coordinated by cmDance
Choreography by Ceth Stifel, Heather Ballew, Joseph DeMers, & Lark Mervine
cmDance creates world-class educational dance and music experiences. The non-profit organization’s programs bring the music and dance of the Americas to Colorado schools and audiences, including Lindy Hop, Argentine Tango, Jazz, and other American Vintage and folkloric dances. For more information, visit http://www.cmdance.orgOrganized by DIA’s Art and Culture Program
Today’s dance performance was presented by the airport’s Art and Culture Program. DIA is home to a world-class
collection of public art, funded by the City and County of Denver’s “one percent for art” requirement for public facilities. In addition to its renowned permanent art collection, DIA curates temporary exhibitions, collaborating with museums, cultural institutions and arts organizations to present the highest quality two- and three-dimensional work. For more information on DIA’s public art program and its temporary exhibitions, visit by Rich Clarkson & Associates
RCA is a multi-disciplinary creative agency, based around the core of fine visual storytelling. Beyond our strengths in original photography and video production, our activities range from publishing high quality photographic books to major exhibition design to digital asset managment and project management in the latest rich media applications. For more information, visit
You are cordially invited to more MOBs:

Wolves: Musical Theme Selection~~ Complete with a sleigh ride and “bells” ~Only in Poland, of course.

by Leslie White

wolf summer


hot paws clawing

succulent mud digits seeps

moon flower lake lights


Bearspawprint’s music theme selection, Wolves,  can’t quite speak for themselves.  They’re being hunted by “us” for no sane reason. “6,000 permits to kill 625 wolves”? What is that about?  Wolves need our help to survive.   In addition to the music there are links to groups on Facebook for more community alliance information and actions.  I’ve included  two extra films for more information and education.

If you’re on the fence or indifferent, consider this: which predator is wiping out the other species on the planet?

Off the fence yet?

Howling for Justice



Wolves Touch ~ The Mountains Will Remember

arass9 upload

Wolves are VERY intelligent, probably in the top 10 of the World’s most intelligent creatures.
However, they are also in the top 10 most MISUNDERSTOOD animals. Save the wolves before it is too late!



Wolf – Native American  – Sacred Spirit – Yeha Noha


– En Compagnie Des Loups
– Yeha-Noha
– Sacred Spirit



Wolf Song Celtic version I Am the Vocie by Celtic Woman

paxas03 upload



“You Can’t Take Me”  Wolf’s Rain




Anime Wolves “Bring Me To LIfe”

All drawings belong to their rightful owners.
Song:Bring me to Life
Copyright of Evanescence
This video was made for entertainment uses only!!!!!
White Fang music video
JayFoxFire upload
Song: Mummer’s Dance by loreena mckennitt
White Fang by Disney
Running With Wolves in Poland   “Bells” music
A sled ride through the forest with a pack of semi-wild wolves.
These young wolves were part of a re-introduction scheme and have since been released into the wild, the conservation director was familiar to them and they seemed happy to follow the sled through the forest as long as he was present.
A few Wolf Links:
Info from Facebook pages.
We are dedicated to preserving the wolf and its historic range as part of our national heritage. This grassroots effort is supported by ordinary citizens who seek to promote positive attitudes about wolves and to support wolf conservation efforts in all areas included in its historic range.
Good Wolf  
Understanding, appreciating, and saving the majestic wolf. Join us on Causes at and on Twitter at

Our mission is to convey the true nature of the wolf and correct the misconceptions spawned by fairy tales, legends, fear-mongering, semantics, and willful misinformation maligning the wolf by private and political agendas.

The Wolf Army
The Wolf Army aims to save the Wolf from further persecution and extinction by establishing a vast network of people, pooling skills, knowledge, contacts, economic and political power to reach our aim.
Event for Oct. 12 
The Northwoods Wolf Alliance, a grassroots coalition of Anishinaabeg people and their allies working to protect the gray wolf, will hold a rally and march starting at 2 p.m. Saturday, Oct. 12. The group wants to stop Minnesota’s wolf season, which opens Nov. 9.- See more at:
Republicans in Wisconsin like writing legislation in secret.  * They had attorneys and Legislative staffers write the most recent redistricting bill in private law firm offices – – earning a tongue-lashing from a US District Court Judge appointed by Ronald Reagan.
* They let an out-of-state coal mining company work behind closed doors to help write the iron ore mining bill.* And you can put the 2012 wolf hunt law on the list of Wisconsin legislative legerdemain, according to comments in minutes of a public, all-day, April 21, 2012 Wisconsin Wolf Stakeholders Committee meeting in Wausau.
Twenty representatives from the DNR, and a wide variety of environmental, Native American, conservation, animal, hunting, and other organizations attended the meeting, along with DNR facilitators and additional staffers.
Read more:
*Washington’s Own Wandering Wolves
Oregon’s OR-7 has garnered national headlines and even his own Twitter handle after making his way from Oregon into the Golden State and now back.But new map shows how radio-collared Washington wolves have been tracked sojourning great distances, as well.
Read more:
Howling for Wolves  –Note Petition to stop Wolf Hunt scheduled for Nov.9 —  Anyone from America and other countries can sign it.
**** Extras
Living With Wolves
Wolf upload
In the Valley of the Wolves –Nature documentary
Add Media
For more Wolves music you’re invited to visit:
*** and poetry by slpmartin

“crying cream dreams” ~ more real food for brulionman

cream? get real, brulionman

  brulionman get a cow.

 tie it to your bicycle

  hand school teats

seriously, get some finger action going

community uprising cream dream

cow eats sun

din din until day done

treat those teats right

milk, cream, butter, cheese

comes one happy cow

squeeze, squirt, squish

 get a Guernsey with a babe

fill a bucket

set set set

cream rises, oh hell, yeah

no, no, no to piggy fat!

real cream needs none of that!

flour? does not compute

send that shit down the garbage chute

just the cream if you please

sweet talk some butter

tease the thick from the top

sip sip sip, can’t resist

drop it in a jar

get some bike dance mojo goin’

thirty tic tocs butter glowin’

pushing creamy envelopes

cheesecloth action play

guess what you got coming days

 cheese, glorious cheese

get a cow, brulionman, no bull

you want real cream

fingers gonna need some teat pull school

No, I don’t know to get a cow to ride a bike!

You’re on your own with that, brulionman!


Solidarnosc, Solidarnosc, … / Solidarity, Solidarity… = 13 little flicks about Poland in 1980. Pierogies for everybody!

Solidarity, Solidarity …

Solidarnosc, Solidranosc..



All of the following  information regarding the film is from The Polish Film Festival site:


Polish Film Festival 2005  Solidarity, Solidarity


Thirteen most eminent Polish film directors made their short films in the common effort to answer one question: “What does ‘Solidarity’ mean today?” Their responses differ as much as the directors and films included in the project. However, all of them refer to the great spontaneous social outbreak of 1980. The emergence of “Solidarity” inspired the changes in Europe, the new world for future generations. We have here short features, documentary impressions as well as a musical. Aside from some pathos, there is also irony and bitter reflection over the wasted opportunities. A fascinating, surprising and uncompromising, true and honest film…

Trzynastu wybitnych polskich reżyserów filmowych nakręciło trzynaście odrębnych nowel filmowych, które łączy próba odpowiedzi na pytanie: co dla mnie znaczy dzisiaj “Solidarność”. Odpowiedzi różnią się tak jak różni są twórcy tych krótkich filmów. Dla wszystkich jednak punktem odniesienia jest spontaniczny ruch społeczny 1980 roku. Powstanie “Solidarności” zainicjowało tworzenie nowego porządku w Europie, upadek systemu totalitarnego. Jest to film o wielkim heroicznym triumfie, ale też nie pozbawiony goryczy. Film wieloznaczny, niekiedy zaskakujący, fascynujący swoją szczerością i bezkompromisowością.

SUSHI 7 min. DIRECTION / REŻYSERIA: Juliusz Machulski SCRIPT / SCENARIUSZ: Juliusz Machulski, Jarosław Sokół CINEMATOGRAPHY / ZDJĘCIA: Edward Kłosiński MUSIC / MUZYKA: Michał Lorenc
EDITING / MONTAŻ: Milenia Fiedler PRODUCED BY / PRODUKCJA: TVP S.A., Apple Film Production PRODUCER / PRODUCENT: Dariusz Jabłoński CAST / OBSADA: Katarzyna Herman (Majka), Marek Kondrat (Marek), Robert Więckiewicz (Andrzej)

Marek, a film producer, gets an offer to make a short film about “Solidarity”. He hires advertising specialists to help him. They try out to find together what “Solidarity” has given them…

Producent filmowy Marek otrzymuje propozycję zrealizowania krótkiego filmu o “Solidarności”. Do pomocy angażuje przyjaciół, specjalistów działających głównie w reklamie. Wspólnie
zastanawiają się, co im dała “Solidarność”.

9 min. DIRECTION / REŻYSERIA: Andrzej Jakimowski
SCRIPT / SCENARIUSZ: Andrzej Jakimowski CINEMATOGRAPHY / ZDJĘCIA: Adam Bajerski MUSIC / MUZYKA: Tomasz Gąsiorowski EDITING / MONTAŻ: Milenia Fiedler PRODUCED BY / PRODUKCJA: TVP S.A., Apple Film Production PRODUCER / PRODUCENT: Dariusz Jabłoński
CAST / OBSADA: Krzysztof Kiersznowski (Older Żul), Rafał
Guźniczak (Younger Żul), Lesław Żurek (Student)

Two thieves steal a young man’s bag in the train. To their disappointment, there are only underground leaflets printed on the home printer. The thieves’ victim gets arrested at the next train station. One of the thieves shows unexpected nobleness.

Dwaj złodziej kradną w pociągu torbę współpasażerowi. Ku ich rozczarowaniu, w środku są “tylko” ulotki odbite na powielaczu. Pozbawiony torby młody chłopak zostaje mimo to aresztowany na kolejnej stacji przez tajniaków. W jednym ze złodziei budzi się na chwilę szlachetniejszy odruch.

7 min. DIRECTION / REŻYSERIA: Jerzy Domaradzki SCRIPT / SCENARIUSZ: Jerzy Domaradzki, Zbigniew Wichłacz CINEMATOGRAPHY / ZDJĘCIA: Zbigniew Wichłacz MUSIC / MUZYKA: Michał Lorenc EDITING / MONTAŻ: Milenia Fiedler PRODUCED BY / PRODUKCJA: TVP S.A., Apple Film Production PRODUCER / PRODUCENT: Dariusz Jabłoński CAST / OBSADA: Bartek Turzyński (Student Rybicki), Daniel Zawadzki (Student Grzywaczewski)

The story of the writing boards where the striking Gdansk Shipyard workers – with the two students’s help – wrote their demands and hung them on the main shipyard gate. On the first day of the martial law in Poland, the secret police stole the boards from the Maritime Museum. They did not know that they stole fake ones. The real ones were taken and hidden earlier by the museum’s curator.

Opowieść o historii tablic, na których – z pomocą dwóch studentów – strajkujący stoczniowcy z Gdańska spisali swoje postulaty, a następnie wywiesili je na bramie stoczni. Pierwszego dnia stanu wojennego z Muzeum Morskiego zabrali je funkcjonariusze SB. Nie wiedzieli jednak, że to kopie. Oryginały wywiózł wcześniej kustosz.

THE BIG DIPPER WIELKI WÓZ 11 min. DIRECTION / REŻYSERIA: Jan Jakub Kolski SCRIPT / SCENARIUSZ: Jan Jakub Kolski CINEMATOGRAPHY / ZDJĘCIA: Michał Pakulski MUSIC / MUZYKA: Zygmun Konieczny EDITING / MONTAŻ: Witold Chomiński PRODUCED BY / PRODUKCJA: TVP S.A., Apple Film Production PRODUCER / PRODUCENT: Michał Kwieciński CAST / OBSADA: Maciej Zakościelny (Janek), Cezary Łukaszewicz (Rudy), Eryk Lubos (Staszek), Wojciech Solarz (Włodek)

In the summer 1980, the group of three polish cave explorers becomes stranded underground. While waiting for help, they learn about signing the Gdansk Agreement between the workers and the government. It starts the discussuion about economical and political situation in Poland, about their hopes and dreams. Among the cave explorers is student Janek, means Jan Jakub Kolski – the director of this film.

Latem 1980 r. we włoskich Alpach trzech młodych polskich grotołazów podczas eksplorowania jaskini zostaje uwięzionych pod ziemią. Oczekując na pomoc, dowiadują się o podpisaniu porozumień sierpniowych. Staje się to pretekstem do rozmowy o sytuacji społeczno-politycznej w Polsce, ich nadziejach i marzeniach. Jeden z nich to student Janek, czyli Jan Jakub Kolski – reżyser tego filmu.

A BALLPEN DŁUGOPIS 8 min. DIRECTION / REŻYSERIA: Piotr Trzaskalski SCRIPT / SCENARIUSZ: Wojciech Lepianka, Piotr Trzaskalski CINEMATOGRAPHY / ZDJĘCIA: Piotr Śliskowski MUSIC / MUZYKA: Michał Lorenc EDITING / MONTAŻ: Cezary Kowalczuk PRODUCED BY / PRODUKCJA: TVP S.A., Apple Film Production PRODUCER / PRODUCENT: Dariusz Jabłoński CAST / OBSADA: Waldemar Czyszak (Janusz), Elżbieta Okupska (Wife), Mirosław Neinert (Friend)

Janusz is trying to sell huge plastic ballpens with a picture of Pope JohnPaul II on them, but he is not very succesfull. His business improves significantly when Lech Wałęsa, a Solidarity leader, signs the Gdansk Agreement with such a ballpen.

Janusz chce się dorobić na wielkich, plastikowych długopisach z wizerunkiem papieża, nikt ich jednak nie kupuje. Przełom następuje w chwili, gdy takim długopisem Lech Wałęsa podpisuje porozumienia sierpniowe.

9 min. DIRECTION / REŻYSERIA: Filip Bajon SCRIPT / SCENARIUSZ: Filip Bajon CINEMATOGRAPHY / ZDJĘCIA: Bartosz Prokopowicz MUSIC / MUZYKA: Michał Lorenc EDITING / MONTAŻ: Michał Fiedler PRODUCED BY / PRODUKCJA: TVP S.A., Apple Film Production PRODUCER / PRODUCENT: Dariusz Jabłoński CAST / OBSADA: Marcin Dorociński (Filip), Maciej Stuhr (Tomek), Agata Kulesza (Wife)

In August 1980, Filip and Tomek meet in the train going to the Coast. They both read “The Little Apocalypse” by Tadeusz Konwicki. Filip carries a petrol can with him. Tomek suspects that Filip wants to butrn himself alive, so he tries to stop him.

W sierpniu 1980 r. w pociągu jadącym na Wybrzeże spotykają się dwaj młodzi ludzie: Tomek i Filip. Obaj czytają “Małą apokalipsę” Tadeusza Konwickiego. Filip wiezie ze sobą kanister z benzyną. W trakcie rozmowy Tomek nabiera przekonania, że współpasażer chce dokonać samospalenia. W żarliwych słowach próbuje go powstrzymać.

TANKS CZOŁGI 6 min. DIRECTION / REŻYSERIA: Krzysztof Zanussi SCRIPT / SCENARIUSZ: Krzysztof Zanussi CINEMATOGRAPHY / ZDJĘCIA: Edward Kłosiński MUSIC / MUZYKA: Michał Lorenc EDITING / MONTAŻ: Milenia Fiedler PRODUCED BY / PRODUKCJA: TVP S.A., Apple Film Production PRODUCER / PRODUCENT: Dariusz Jabłoński CAST / OBSADA: Krzysztof Zanussi, Grzegorz Pacek (Assistant Director), Piotr Rękawik (Policeman)

In this short quasi-documentary, Krzysztof Zanussi ponders back to the winter of 1981 when he was shooting “From the Far Country”, the biography of John Paul II. In one of the scenes, when the extras were supposed to put on military German or Soviet Uniforms, everybody wanted to get the German one.

W paradokumentalnej etiudzie “Czołgi” Krzysztof Zanussi wraca wspomnieniami do czasów, gdy zimą 1981 r. realizował w Krakowie zdjęcia do biografii Jana Pawła II – “Z dalekiego kraju”. Gdy do jednej ze scen statyści mieli przywdziać mundury radzieckie i niemiec kie, wszystkie ręce wyciągnęły się po niemieckie.

LANDSCAPE KRAJOBRAZ 8 min. DIRECTION / REŻYSERIA: Robert Gliński SCRIPT / SCENARIUSZ: Robert Gliński CINEMATOGRAPHY / ZDJĘCIA: Bartosz Prokopowicz MUSIC / MUZYKA: Michał Lorenc EDITING / MONTAŻ: Michał Fiedler PRODUCED BY / PRODUKCJA: TVP S.A., Apple Film Production PRODUCER / PRODUCENT: Dariusz Jabłoński

“Landscape” by Robert Gliński shows the Gdans Shipyard as it is seen today: engine rroms covered with rust, empty docks and garbage flying in the air. This is a sad metaphor of what happen with “Solidarity”. There are only groups of international tourists who fill the space that used to be the place of origin of “Solidarity”. Most of the old workers are unemployed now.

“Krajobraz” Roberta Glińskiego ukazuje dzisiejszy obraz Stoczni Gdańskiej będący przygnębiającą metaforą tego, co stało się z “Solidarnością”. Rdzewiejące hale, puste doki, śmieci unoszone wiatrem. Po historycznej kolebce związku kręcą się tylko zagraniczne wycieczki. Dawni pracownicy są w większości bezrobotni.

WHAT HAPPENED TO OUR SOLIDARITY? CO SIĘ STAŁO Z NASZĄ SOLIDARNOŚCIĄ 9 min. DIRECTION / REŻYSERIA: Ryszard Bugajski SCRIPT / SCENARIUSZ: Ryszard Bugajski CINEMATOGRAPHY / ZDJĘCIA: Piotr Śliskowski MUSIC / MUZYKA: Jarosław Śmietana EDITING / MONTAŻ: Marcin “Kot” Bastkowski PRODUCED BY / PRODUKCJA: TVP S.A., Apple Film Production PRODUCER / PRODUCENT: Michał Kwieciński CAST / OBSADA: Grzegorz Markowski, Bzyk, Guzik

Ryszard Bugajski made a video clip where Grzegorz Markowski, a rockman from the popular Polish band “Perfect”, along with the young rappers Bzyk and Guzik from Wu-Hae, sing about Polish history in the last 40 years.

Ryszard Bugajski zaproponował teledysk “Co się stało z naszą Solidarnością?”, w którym Grzegorz Markowski, wraz z dwoma młodymi raperami, (Bzyk i Guzik z zespołu Wu-Hae), dramatycznie wyśpiewał historię Polski ostatnich 40 lat.

AND YOU KNOW WHAT? I WIE PAN, CO? 8 min. DIRECTION / REŻYSERIA: Jacek Bromski SCRIPT / SCENARIUSZ: Jacek Bromski CINEMATOGRAPHY / ZDJĘCIA: Marcin Koszałka MUSIC / MUZYKA: Henri Seroka EDITING / MONTAŻ: Agnieszka Glińska PRODUCED BY / PRODUKCJA: TVP S.A., Apple Film Production PRODUCER / PRODUCENT: Michał Kwieciński
CAST / OBSADA: Janusz Gajos (Bank President), Krzysztof Stroiński (Roman), Anna Romantowska (Teresa), Anna Przybylska (Secretary)

Roman, once a political prisoner and now a businessman, applies for a loan from the bank. He meets with the bank president, a former communist party official and a prosecutor who in the past issued the warrant to arrest Roman. Now again he decides about Roman’s future.

Roman, przedsiębiorca i dawny więzień polityczny, udaje się do banku z podaniem o kredyt. Przyjmuje go prezes banku, dawny dygnitarz partyjny i prokurator, który kiedys wydał nakaz aresztowania Romana. Teraz znów ma zadecydować o jego przyszłości.


This is an animated short film collage telling the story about the white board with the characteristic red sign “Solidarity” on it. After times of fight and euphoria of victory, the old symbols get forgotten. The white board with “Solidarity” sign is put for sale, but finally it lands in the prop room.

Etiuda animowana zrealizowana techniką kolażu opowiada historię białej tablicy z wypisaną charakterystycznymi, czerwonymi literami nazwą “Solidarność”. Po okresie walki i euforii zwycięstwa, mity i symbole stopniowo odchodzą w niepamięć. Wystawiona na sprzedaż tablica ląduje ostatecznie w rekwizytorni.

THE MAN OF HOPE CZŁOWIEK Z NADZIEI 10 min. DIRECTION / REŻYSERIA: Andrzej Wajda SCRIPT / SCENARIUSZ: Andrzej Wajda CINEMATOGRAPHY / ZDJĘCIA: Edward Kłosiński MUSIC / MUZYKA: Michał Lorenc EDITING / MONTAŻ: Grażyna Gradoń PRODUCED BY / PRODUKCJA: TVP S.A., Apple Film Production PRODUCER / PRODUCENT: Michał Kwieciński CAST / OBSADA: Lech Wałęsa , Andrzej Wajda , Krystyna Janda , Jerzy Radziwiłowicz

This film is a video recorded meeting between the director of “The Man of Iron”, Andrzej Wajda, and actors Krystyna Janda and Jerzy Radziwiłłowicz, who played main characters in “The Man of Iron”, with Lech Wałęsa, the Solidarity leader. The meeting took place in the huge, empty screening room of the “Neptun” theatre in Gdansk. In August 1980, when Wałęsa congratulated Wajda for making a great film about the August Events, he encouraged the famous director to shoot another film titled “The Man of Hope”, but it never happened. What would it be such film today?

“Człowiek z nadziei” Andrzeja Wajdy to zapis spotkania twórcy “Człowieka z żelaza” i pary odtwórców głównych ról – Krystyny Jandy i Jerzego Radziwiłowicza – z Lechem Wałęsą w wielkiej, pustej sali gdańskiego kina Neptun. W 1980 r., gratulując Wajdzie dzieła o sierpniowym zrywie, Wałęsa zachęcał go jednocześnie do nakręcenia kolejnego – “Człowieka z nadziei”. Film jednak do tej pory nie powstał. O czym byłby dziś?

THE FATHER OJCIEC 9 min. DIRECTION / REŻYSERIA: Małgorzata Szumowska SCRIPT / SCENARIUSZ: Małgorzata Szumowska CINEMATOGRAPHY / ZDJĘCIA: Michał Englert MUSIC / MUZYKA: Paweł Mykietyn EDITING / MONTAŻ: Jacek Drosio PRODUCED BY / PRODUKCJA: TVP S.A., Apple Film Production PRODUCER / PRODUCENT: Dariusz Jabłoński CAST / OBSADA: Kazimierz Borowiec (Father), Maja Ostaszewska (Maja), Zosia Fuglewicz (Maja as a Girl), Klaudia Krupa (Maja 15 years old)

In this dramatized short documentary, the director Małgorzata Szumowska utilized the archival films shot by her father, a well-known documentary filmmaker. A 30-year-old woman tells the story how “Solidarity” influenced her family’s life, particularly her idealistic father’s one. He never benefited directly from the political changes. His only reward is that his daughter lives in a free country.

Cykl solidarnościowych etiud zamyka fabularyzowany dokument “Ojciec” Małgorzaty Szumowskiej, która wykorzystała materiały archiwalne nakręcone przez swego ojca, znanego dokumentalistę. Trzydziestoletnia kobieta opowiada o tym, jak “Solidarność” zmieniła życie jej rodziny, a zwłaszcza ojca – idealisty, któremu przemiany polityczne nie przyniosły żadnych bezpośrednich korzyści. Jedyną nagrodą jest życie jego córki w wolnym kraju.




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