Five “Foreign” Films, first set quest

These are trailers of the first five films on a list I’m compiling of “foreign” films–as in films not produced in America. This is a search for substance and meaning in the movie industry outside of Hollywood. I’m looking beyond borders for connections with the rest of the world regarding the human condition as portrayed via film media. All genres are welcome.  Also,visual artistry, performance, and music are all of interest. If you have suggestions for this list, please share the titles and/or trailers via a comment.

Note: The information text for each film is from the uploader sources cited for each trailer.

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Blue Is the Warmest Color ~ France

unifrance

15-year-old Adèle knows two things: she’s a girl, and a girl goes out with boys. The day she glimpses the blue streaks in Emma’s hair on the main square, she feels that her life is going to change. Alone with her teenage questions, she transforms the way she looks at herself and the way that others look at her. In her intensely close relationship with Emma, she is fulfilled as a woman and as an adult. But Adèle doesn’t know how to make peace, neither with her parents, nor with this world full of absurd morals, nor with herself.

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The Broken Circle Breakdown

FlandersImage

Elise is 28 and owns her own tattoo parlour. 36-year-old Didier is a Flemish cowboy who plays the banjo in a band. Although in many respects they are as alike as day and night, somehow their characters match perfectly and the arrival of their baby, Maybelle, makes their happiness complete. Life is good until one day, fate intervenes, and they lose their daughter.

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An Episode In The Life Of An Iron Picker ~ 

TIFF

Acclaimed director Danis Tanovic won the Grand Jury Prize at the Berlin Film Festival for this unflinching exposé of the prejudices faced by Bosnia-Herzegovina’s Roma minority, starring the real-life couple whose harrowing ordeal became a national scandal.

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The Missing Picture ~Cambodia

New Wave Films

 

CPH:DOX· :

Highlighted as one of the most important films at this year’s Cannes Film Festival, where the jury headed by Thomas Vinterberg gave it the fully deserved award. Just like ‘The Act of Killing’, the Cambodian Rithy Panh deals with the impossible question of how a film can relate historically to a genocide. Over two million people died under Pol Pot’s dictatorship from 1975 to 1979. A period, during which all existing photos and film footage were created by the terror regime’s propaganda machine. Panh himself was 13 years old, and the film is based on his own and his family’s memories of the four dark years that followed. But how does one portray a past of which there exists no pictures? Panh’s answer is to recreate it in the form of miniature figurines, hand-painted and shaped in clay, which stand for the regime’s victims, while a single voice quietly shares its testimony: ‘People say, that their souls will wander all over the earth.’ The paradoxical poetry in Panh’s choice of words (and in the skilfully detailed clay figures) is not just a historical documentation of a past out of reach. It is a protest against inhumanity everywhere and throughout the times.

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The Hunt ~ Denmark

MOVIECLIPS Trailers

A teacher lives a lonely life, all the while struggling over his son’s custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.

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