“In the spring time, the only pretty ring time” ~~ A very necessary season for living.

“In the spring time the only pretty ring time” ~~~

I can’t quite recall the very first time I read or heard these words by Thomas Morley but they’ve never gone away. That’s pretty damn good staying power for a songwriter from Renaissance England. Never estimate the power of a tune–a poem set to music for entertaining the masses. Spring is all about bringing things to life–contrary to the famous commercial GE has nothing to do with this when it comes to nature and the reality of our own existence.  Every time art is created it’s an affirmation of the creative life forces centered in the promises of spring.

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It Was a Lover and His Lass by Thomas Morley-– http://en.wikipedia.org/wiki/Thomas_Morley

paracletelux·

Paul Phoenix (now of the King’s Singers) and Barry Holden, then choristers at St. Paul’s Cathedral, sing “It Was a Lover and His Lass” in this 1978 production of As You Like It [ by William Shakespeare], starring Helen Mirren.

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Sand Animation ~ Spring ~ Marriage D’Amour by George Davidson

LenergyArt

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Sandro Botticelli’s Primavera ~ Music “Sweet Child of Mine” performed by Vitamin String Quartet

rayuwish

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Tracy Chapman ~ Spring

AfrikiSun

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Stravinsky ~ The Rite of Spring, Part 1  ~ Watch at FULL screen for full visual beauty impact. ~ “Jay Bacal performed and rendered this piece using virtual instrument software by Vienna Symphonic Library.”

smalin

Click through to watch on YouTube for more information about the creation of this piece and others. Yes, there is MORE.  The following is from the creator/uploader:

 Each shape corresponds to a family of instruments:
ellipse: flutes (also cymbals and tam-tam)
octagon: single reed (clarinet, bass clarinet)
inverted ellipse/star: double reeds (oboe, English horn, bassoons)
rectangle: brass (also, with “aura,” timpani, guiro and bass drum)
rhombus: strings

. . .

In this video, musical pitch (as ordered in the musician’s “circle of fifths”) is mapped to twelve colors (as ordered on the artist’s “color wheel”). With this mapping, changes in tonality and harmony correspond to changes in the color palette. You can read more about this technique here:
http://www.musanim.com/mam/pfifth.htm
Unpitched instruments (bass drum, cymbals, tam-tam, triangle, guiro) are shown in gray.

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Who is more in tune with spring than young people? Time for some serious education which has nothing and everything to do with the birds and bees aka sex education that really tells where babies come from. What’s the big deal? None of us would be here without the biological act of sexual intercourse–modern science’s efforts for infertile couples et al aside.  Education, education– what’s it for really? In so many ways children are at the mercy of the parents, teachers and culture which often shortchanges them with devastating consequences.  Where does the shame, guilt and fear come from? Who creates the dysfunction regarding sexuality? Such discussions are increasingly important as is evident by all current news regarding sex, rape and violence. Isn’t it possible to have a society which behaves in a healthy, positive manner concerning sexuality? Newsflash–the Stork crash landed and won’t be bringing any more babies to anyone. Unless, it recovers enough to fertilize its mate’s eggs.

Spring Awakening ~ Full Version Off Broadway

Wikipedia http://en.wikipedia.org/wiki/Spring_Awakening

Eu4279

 

Full Off-Broadway Spring Awakening.
Spring Awakening is a rock musical adaptation of the controversial 1891 German play of the same title by Frank Wedekind.
It features music by Duncan Sheik and a book and lyrics by Steven Sater.
Set in late-19th century Germany, it concerns teenagers who are discovering the inner and outer tumult of sexuality.
The original play was banned in Germany for a while due to its portrayal of masturbation, abortion, homosexuality, rape, child abuse and suicide.
In the musical, alternative rock is employed as part of the folk-infused rock score.
Spring Awakening received eleven 2007 Tony Award nominations, winning eight, including Tonys for best musical, direction, book, score and featured actor.
The show also won four Drama Desk Awards, while its London production won four Olivier Awards.

Cast:
Melchior Jonathan Groff
Wendla Lea Michele
Moritz John Gallagher, Jr.
Adult Man Stephen Spinella
Adult Woman Christine Estabrook
Ilse Lauren Pritchard
Hanschen Jonathan B. Wright
Georg Skylar Astin
Martha Lilli Cooper
Ernst Gideon Glick
Otto Brian Charles Johnson
Anna Phoebe Strole
Thea Remy Zaken

Musical numbers
Act I
“Mama Who Bore Me” — Wendla
“Mama Who Bore Me (Reprise)” — Wendla and Girls
“All That’s Known” — Melchior
“The Bitch of Living” — Moritz, Melchior and Boys
“My Junk” — Girls and Boys
“Touch Me” — Boys and Girls
“The Word of Your Body” — Wendla and Melchior
“The Dark I Know Well” — Martha, Ilse and Boys
“The Word of Your Body (Reprise)” — Otto and Georg (not on the cast recording)
“And Then There Were None” — Moritz and Boys
“The Mirror-Blue Night” — Melchior and Boys
“I Believe” — Boys and Girls
Act II
“The Guilty Ones” — Wendla, Melchior, Boys and Girls
“Don’t Do Sadness/Blue Wind” — Moritz and Ilse
“Left Behind” — Melchior, Boys and Girls
“Totally Fucked” — Melchior and Full Company (except Moritz)
“The Word of Your Body (Reprise)” — Hanschen, Ernst, Boys and Girls
“Whispering” — Wendla
“Those You’ve Known” — Moritz, Wendla and Melchior
“The Song of Purple Summer” — Ilse and Full Company

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Soundtrack  from Spring Awakening

Alex Worthington

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I do believe Bear and Johnny will be singing some spring soon. Links when they flower. 🙂

Let the lovely Lisa put some spring in your steps : http://undergroundenergy.wordpress.com/2014/05/08/spring-the-life-of-the-seasons-music-theme/

Whoa, Johnny and Lisa duet–yeah, du-et–that’s what I said. Oh now, yeah they are flirting and making dates online too… Johnny’s place for the spring beat –> http://johnnyojanpera.wordpress.com/2014/05/08/all-things-spring-music-theme/

Hey, hey, Bear is here –> http://bearspawprint.wordpress.com/2014/05/09/spring-music-theme/

Much thanks to everyone sharing  their favorite Spring music things.  🙂

Lovers, a touch of drama

What’s love without some drama? Hmm?

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Arn & Cecelia ~  Arn Knight Templar    Ballad about Love_Vladimir Vysotsky’s (1975) Translations by I.Shambat. Movie_Arn – Tempelriddaren (2007).

arsa333

Wikipedia online source: http://en.wikipedia.org/wiki/Arn_%E2%80%93_The_Knight_Templar

Arn – The Knight Templar (Swedish: Arn – Tempelriddaren) is a 2007 epic film based on Jan Guillou‘s trilogy about the fictional Swedish Knight Templar Arn Magnusson. The film was released in December 2007 and the sequel, Arn – The Kingdom at Road’s End (Arn – Riket vid vägens slut), was released August 22, 2008, but both films were combined into a single cut for the English release on DVD in 2010. While the film is mostly in Swedish and most of the production was made in Sweden, the film is a joint production between Sweden, Denmark, Norway, Finland and Germany

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Shakespeare’s play plays again and again and again.

Wikipedia online source:

Romeo and Juliet is a tragedy written early in the career of William Shakespeare about two young star-crossed lovers whose deaths ultimately reconcile their feuding families. It was among Shakespeare’s most popular plays during his lifetime and, along with Hamlet, is one of his most frequently performed plays. Today, the title characters are regarded as archetypal young lovers.

Romeo and Juliet belongs to a tradition of tragic romances stretching back to antiquity. Its plot is based on an Italian tale, translated into verse as The Tragical History of Romeus and Juliet by Arthur Brooke in 1562 and retold in prose in Palace of Pleasure by William Painter in 1567. Shakespeare borrowed heavily from both but, to expand the plot, developed supporting characters, particularly Mercutio and Paris. Believed to have been written between 1591 and 1595, the play was first published in a quarto version in 1597.

And there is oodles more  info everywhere. Suffice to say, Shakespeare wrote for the performance marketplace and aimed to pleasure money from the highest to the lowest pockets.  Imagine the royalties he could be collecting if he were still alive and playing.

Romeo & Juliet  I”m Kissing You ~ Des’ree

sokool701

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A Time for Us  ~ Barratt Waugh

FairyLavgood

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Tristan & Isolde None Can Die  ~ Anne Dudley

lutek01

Wikipedia has an extensive plot outline for the film from which this music originates–and a lot more as you can see from the embedded links.

Tristan & Isolde is a 2006 romantic drama film based on the medieval romantic legend of Tristan and Isolde. It was produced by Ridley Scott (who had been working on an adaptation since the mid-seventies) and Tony Scott, directed by Kevin Reynolds and stars James Franco and Sophia Myles, with an original music score composed by Anne Dudley. This was Franchise Pictures‘ last film before bankruptcy

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Deirdre and Naoise  ~ Deirdre of the Sorrows

Vikki Ni Bhrein

Deirdre via  Wikipedia:  http://en.wikipedia.org/wiki/Deirdre :

Deirdre was the daughter of the royal storyteller Fedlimid mac Daill. Before she was born, Cathbad the chief druid at the court of Conchobar mac Nessa, king of Ulster, prophesied that Fedlimid’s daughter would grow up to be very beautiful, but that kings and lords would go to war over her, much blood would be shed because of her, and Ulster’s three greatest warriors would be forced into exile for her sake. Hearing this, many urged Fedlimid to kill the baby at birth, but Conchobar, aroused by the description of her future beauty, decided to keep the child for himself. He took Deirdre away from her family and had her brought up in seclusion by Leabharcham, an old woman, and planned to marry her when she was old enough. Deirdre grew up, and one day told Leabharcham that she would love a man with hair the color of the raven, skin as white as snow, and lips as red as blood. Leabharcham told her she knew of such a man — Naoise, a handsome young warrior, hunter and singer at Conchobar’s court. With the collusion of Leabharcham, Deirdre met Naoise. At first the young man wanted nothing to do with her, because it was known that she was destined for the king. But Deirdre shamed him into eloping with her. Accompanied by his fiercely loyal brothers Ardan and Ainnle, the sons of Uisneach, they fled to Scotland. For a while, they lived a happy life there, hunting and fishing and living in beautiful places; one place associated with them is Loch Etive. But the furious, humiliated Conchobar tracked them down.

He sent Fergus mac Róich to them with an invitation to return and Fergus’s own promise of safe conduct home, but on the way back to Emain Macha Fergus was waylaid by the king’s plan, forced by his personal geis (an obligation) to accept an invitation to a feast. Fergus sent Deirdre and the sons of Uisnech on to Emain Macha with his son to protect them. After they had arrived, Conchobar sent Leabharcham to spy on Deirdre, to see if she had lost her beauty. Leabharcham, trying to protect Deirdre, told the king that Deirdre had lost all her beauty. Mistrustful, Conchobar then sent another spy, Gelbann,[2] who managed to catch a glimpse of Deirdre but was seen by Naoise, who threw a gold chess piece at him and put out his eye. The spy managed to get back to Conchobar, and told him that Deirdre was as beautiful as ever. Conchobar called his warriors to attack the Red Branch house where Deirdre and the sons of Uisnech were lodging. Naoise and his brothers fought valiantly, aided by a few Red Branch warriors, before Conchobar evoked their oath of loyalty to him and had Deirdre dragged to his side. At this point, Éogan mac Durthacht threw a spear, killing Naoise, and his brothers were killed shortly after. There are other versions of the death of Naoise. Fergus and his men arrived after the battle. Fergus was outraged by this betrayal of his word, and went into exile in Connacht. He later fought against Ulster for Ailill and Medb in the war known as the Táin Bó Cúailnge (the Cattle Raid of Cooley), the Irish Iliad.

After the death of Naoise, Conchobar took Deirdre as his wife. After a year, angered by Deirdre’s continuing coldness, Conchobar asked her whom in the world she hated the most, besides himself. She answered “Éogan mac Durthacht,” the man who had murdered Naoise. Conchobar said that he would give her to Éogan. As she was being taken to Éogan, Conchobar taunted her, saying she looked like a ewe between two rams. At this, Deirdre threw herself from the chariot, dashing her head to pieces against a rock. In some versions of the story, she died of grief.

There are at least five plays based on Deirdre’s story: George William Russell‘s Deirdre (1902), William Butler YeatsDeirdre (1907), J. M. Synge‘s Deirdre of the Sorrows (1910), John Coulter‘s Deirdre of the Sorrows: An Ancient and Noble Tale Retold by John Coulter for Music by Healey Willian (1944), and Vincent WoodsA Cry from Heaven (2005). There are also three books: Deirdre (1923) by James Stephens, The Celts (1988) by Elona Malterre, and “The Swan Maiden” by Jules Watson.

Deirdre, a ship in the Irish Naval Service from 1972 to 2001, was named after her.

 

 

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